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Title	:	The Bloody Chamber and Other Stories
Author	:	Angela Carter
Book Format	:	Paperback
Book Edition	:	Special Edition
Pages	:	Pages: 128 pages
Published	:	1990 by Penguin Books (first published 1979)
Categories	:	Short Stories. Fantasy. Fiction. Horror. Fairy Tales. Gothic. Feminism

The Bloody Chamber and Other Stories

Angela Carter

Paperback | Pages: 128 pages

Rating: 3.99 | 36241 Users | 3147 Reviews

Rendition To Books The Bloody Chamber and Other Stories

Angela Carter was a storytelling sorceress, the literary godmother of such contemporary masters of supernatural fiction as Neil Gaiman, David Mitchell, Audrey Niffenegger, J. K. Rowling, and Kelly Link, who introduces this edition of Carter's most celebrated book, published for the seventy-fifth anniversary of her birth. In The Bloody Chamber - which includes the story that is the basis of Neil Jordan's 1984 movie The Company of Wolves - Carter spins subversively dark and sensual versions of familiar fairy tales and legends like "Little Red Riding Hood," "Bluebeard," "Puss in Boots," and "Beauty and the Beast," giving them exhilarating new life in a style steeped in the romantic trappings of the gothic tradition.

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Original Title:	The Bloody Chamber & Other Stories
ISBN:	014017821X (ISBN13: 9780140178210)
Edition Language:	English
Literary Awards:	Cheltenham Prize for Literature (1979)

Rating Based On Books The Bloody Chamber and Other Stories

Ratings: 3.99 From 36241 Users | 3147 Reviews

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Angela Carter reveals the dark heart of the fairy story in these memorably quirky versions. She is able to intensify the mythic core of each of these tales, not by stripping them down to their essentials (the obvious way) but by using eccentric, illuminative detail expressed in individualistic prose. Although these versions could be described as feminist and anti-patriarchal, such labels are too limiting for the fierce independence of Carter's intelligence. She is a writer who never shrinks from

There's the indulgence of the mind, and there's the pleasure of the senses. One can fill oneself up on the former to the brim, hold firmly to one's breast its lack of ignorance, its sophisticated patterns of thought, its know-how translating into a delightful net of endless know-whens and know-whats and whatever know-wherefore's your precious neurons may desire. There's a unique satisfaction to be had in those sorts of theoretical acrobatics, that complex weave of states of mind that are fully

The wolfsong is the sound of the rending you will suffer, in itself a murdering.As a rule I don't care for folklore. I also maintain a historical aversion to short stories. What a joy it is then to proclaim my love for these macabre tales of hymens, fogged mirrors, and the gasps of lusts and bloodletting. Ms. Carter's tales are fevered variations on nursery rhymes: Bluebeard, Red Riding Hood Lycanthropes and wee wicked Alice dart from the shadows and dazzle the reader.

Exquisite. His touch both consoles and devastates me; I feel my heart pulse, then wither, naked as a stone on the roaring mattress while the lovely, moony night slides through the window to dapple the flanks of this innocent who makes cages to keep the sweet birds in. Eat me, drink me; thirsty, cankered, goblin-ridden, I go back and back to him to have his fingers strip the tattered skin away and clothe me in his dress of water, this garment that drenches me, its slithering odour, its capacity

Perfection! Carter retells classic fairy tales with an emphasis on gender, dreams, sexuality, and death. But wait didn't all of these fairy tales already emphasize those things? Sure, sure. But Carter makes certain those aspects are front and center in her retelling. The collection is definitely not for kids. The subtext has become the text and that means all of the things between the lines and behind closed doors are naked, on display. All the better to deconstruct you with, my dear, as the

This book first came out in 1979, the year I graduated from high school. Not as controversial now as it was then, its relevancy is still in evidence. I enjoy retellings of traditional tales and am usually disappointed by them, so most of the stories were exciting to me.The title story is a Bluebeard tale, but its also a re-working of Beauty and the Beast. Immediately following it are two obvious re-workings of the latter: the first, straightforward and rather faithful to the original; the

3.5/5 stars! Dark, sensual and definitely adult fairytale retellings. Some stories were a bit to cryptic and symbolic for my liking, but there were also some real gems in this collection. My favourite short stories were 'The Bloody Chamber', 'The Erl-King' and 'The Werewolf'. (view spoiler)[Why is Angela Carter so obsessed with the word 'nipple'? :D Hahaha, this honestly annoyed me after a while. The word appeared in literally every story. (hide spoiler)]